I don’t read much chicklit or romcom, which cuts down on my romance-adjacent reading these days since they’re among the more popular and talked-about sub-genres. But when a number of my romance friends raved about this 2019 and Janine specifically suggested it to me, I put it on hold at the library and read it when the hold came in last week. I can see why it’s on a number of best-of-year lists, because it’s quite sweet and charming at times and has a great premise.
This is the ultimate high-concept novel. The main characters meet when they share a London flat, but it’s not just any flatshare: they divide up time, not space. Tiffy is an editor of craft books who needs to get away from her controlling, abusive boyfriend and find an inexpensive place to live in London. Leon is a palliative care nurse who works nights because he needs to pay a solicitor to appeal his brother Richie’s wrongful conviction and imprisonment for armed robbery. Leon’s solution is to rent his flat in the hours he’s away at work and spend his days off with his girlfriend, Kay. Tiffy convinces herself and her worried friends that sharing the flat will work out. It’s small but comfortable and convenient, and Leon doesn’t seem like a serial killer.
The story unfolds in alternating first person POV, present-tense chapters. Tiffy and Leon communicate via post-it notes and don’t meet for the first half of the book. Tiffy is quirky and outgoing (not quite Manic Pixie Dream Girl, but uncomfortably close), and Leon is reserved and the opposite of talkative. Leon’s character is conveyed through a particular and stylized form of expression: his interior monologues are written in sentences in which pronouns and articles are omitted. For US readers of a certain age he sounds weirdly like George HW Bush at times. Linguists call Bush’s omissions of pronouns, especially “I”, left-edge deletion. Leon’s more general conversational deletion occurs throughout his written and unspoken thoughts. Tiffy, by contrast, is verbose in all her forms of communication. These authorial choices highlight their personality differences, but they also come across as stereotypically gendered and quite a few readers (on Goodreads, at least) found Leon’s sections difficult to read. On the plus side, though, the 21stC epistolary form of post-it notes back and forth were quite charming and did a good job of establishing their growing understanding of each other.
Leon, being emotionally reserved and taciturn, has no friends, although he talks regularly to Richie and has warm relationships with his hospice patients. Tiffy, being emotionally open to the point of oversharing, has strong friendships at work and outside it. Her best friends are Gert and Mo from college and Rachel at work. Each of them fulfills a stereotype and all three of them, and really all the supporting characters, are depicted almost entirely in terms of their relationship to and function for Tiffy.Read the rest of this entry »