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Tag: Norfolk

Reading Notes: Genre edition

I read a bunch of books! I’m not sure how I managed that, since I’ve been grading and DUS-ing. But I discovered I’d finished three books in about a week: two mysteries and a romance/WF.

First up was The Janus Stone, the second installment in the Ruth Galloway series by Elly Griffiths. Ruth and Nelson go to Norwich, where bones have been discovered in the foundation of a large Victorian house that was most recently a children’s home. The property is now being turned into tiny but luxurious and expensive flats. The novel is set shortly after the previous one, and Ruth is experiencing the joys of first-trimester pregnancy, complete with morning sickness. Her born-again Christian parents are very upset that she is pregnant and refuses to name the father. At first she can hide her pregnancy but as the story progresses and time elapses that becomes more difficult.

I had mixed feelings about the pregnancy storyline at the end of the last book, but it is a good way of keeping Ruth and Nelson connected without turning them into an insta-couple. Nelson loves his wife and has no intention of breaking up his family, and Ruth doesn’t want him to. Nelson’s wife Michelle is an appealing character, and I’m not sure how this triangle is going to be resolved (by which I mean, Michelle is going to have to know at some point and what’s that going to do to their marriage and family?) but so far Griffiths has written it in a way that earns my trust.

As for the mystery itself, the bones turn out to be that of a child from decades ago rather than centuries. Are they those of the little girl who vanished from the home, or are they someone else’s? The story widens to include the former priest and nuns who ran the home, the past owners of the house, and others. Cathbad returns, and Ruth is in jeopardy once again. I didn’t see many of the twists although by the end the villain was fairly obvious. It took a while, though. And the Norfolk countryside was as well portrayed as before.

Next up was Death in Devon, the second installment of Ian Sansom’s County Guides mysteries. These are only nominally mysteries and mostly about Morley, Sefton, Miriam, and the people they encounter as they travel around England for Morley’s project. I found Miriam just as annoying as in the first book and unfortunately she’s around more, but Morley is definitely growing on me. The story is set at a minor public boys’ school in Devon, where Morley’s old friend is headmaster and has asked him to come and give a keynote address. A smashed car is found on the beach below the cliffs and solving this mystery (suicide or not) leads them to other weird happenings. There are plenty of characters and at times there is an air of real menace. And there are caves.

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Reading Notes

I know, I can’t believe it either. It’s not a virus post! But as we talked about last post, the days are merging into weeks and I’m managing to read a bit, so let’s talk about that for a change.

I finished The Fellowship of the Ring, which I enjoyed immensely even though I kept seeing the movie actors instead of my own imagined characters. This was fine in some cases (Viggo as Aragorn, Ian McKellen as Gandalf) and not so fine in others (I’ve had enough Sean Astin as Sam to last me several trilogies, and ditto for Elijah Wood as Frodo). But that’s a small complaint. Finally I get to see why TheH always remembers and references Tom Bombadil and I can join him in lamenting Tom’s absence from the films. So far, I find the film’s changes to the books to be not horrible and even understandable, and I’m usually a curmudgeon when it comes to adaptations. Overall I prefer the book characters to the movie characters; they’re less pretty, more complex, and in the case of Merry and Pippin, less ditzy-annoying. But I can understand the changes and they’re not nearly as bad as they could have been.

fellowship 2011 cover

I’ve also been struck by the extent to which the film tracks with the books scenes and language. There are so many verbatim sections of dialogue and Jackson and his team did an amazing job of recreating some of the physical settings. New Zealand feels (and is) much bigger than Tolkien’s world, but it’s like looking at New England mountains and valleys and then the Rockies; they’re different in scale but somehow still part of the same continent.

But what about the book, you’re probably asking? What about my actual read of the actual novel? It was great. Just what I needed. In fact, it was so much more satisfying than I expected it to be. Maybe that’s why it’s a classic and beloved by millions? Heh. But yeah, I was totally swept up into it. I really appreciated that even in this, the more adult story (compared to The Hobbit), the violence is present but the worst bits are played down or fully off-page. It makes me realize how much of the films were devoted to grisly scenes, which when you read the source material you can see were pretty unnecessary from a storytelling point of view. Tolkien’s approach is a reminder that graphic and explicit aren’t necessary to communicate emotional and intellectual material.

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