Blog in progress

Tag: capitalism

More social media trimming

Warning: navel-gazing ahead.

I thought about deleting my Goodreads account today. GR is the last social media platform I participate in, and I’ve been active there for the last couple of years. I returned to it when I started reading a lot of literary fiction again; I swore off the romance and related genre discussions quite a while ago, but the lit fic reviewers and groups didn’t seem to have the same kinds of recurring kerfuffles (NARRATOR: they do, just not as often). But they have their own idiosyncracies, like focusing to an obsessive degree not just on group reads of awards longlists and shortlists, but also choosing to spend lots of time and energy debating the worthiness of the books on those lists.

At first I found these discussions informative and mildly amusing. Having been buried in the romance genre for more than a decade, I hadn’t really paid attention to the proliferation of prizes in the lit fic world. But my goodness, they have not just multiplied but become much more prominent in terms of promotion through newspapers, magazines, and blogs. (#notallmedia, of course; the LRB, TLS, and NYRB don’t seem to care much about which books win prizes, but they’re in the minority.)

What isn’t different is the extent to which GR readers and reviewers depend on ARCs for their reading. Just as much as genre bloggers and reviewers, they try for Netgalley and Edelweiss, as well as obtaining ARCs directly from publishers. And there are a lot of small publishers in lit fic who are increasingly important to the health of the book industry in terms of innovation, creativity, and as incubators for new or new-to-English authors. This creates an intimacy between publishers and readers which is more similar to the relationship between authors and readers in romance than I’m comfortable with. One of the reasons I stopped reviewing romance novels and requesting ARCs was that I wanted to increase the distance between the author and/or publisher and me and decrease the distance between the book and me. I still don’t take ARCs, but when I review and discuss books at GR I know that authors and editors may be listening in. Which is absolutely their right, but it makes me think twice about what I post.

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Commodity fetishism

I was having dinner with a friend this past weekend in a trendy Palo Alto restaurant, and we were talking about Adam Smith and Karl Marx, as you do (well, you do if you’re political scientists). I looked around the room at one point and when he asked me why, I told him I was looking for somewhere wearing an Apple Watch. I figured I was in was a highly likely place to see one. Sadly, I didn’t, but I couldn’t see every diner’s wrist, so I retain hope that the Watch was there, lurking, out of my view.

"White AppleWatch with Screen" by Justin14 - Own work. Licensed under CC BY-SA 4.0 via Wikimedia Commons -

I wonder if we’ve reached Peak Commodity Fetishism with the Apple Watch. I hope so, because it would be depressing to think we could go further. Commodity fetishism is a term coined by Marx to describe the condition in which objects are valued for something other than what they are used for and the labor that inheres in their production. The first paragraph of this overview is a good, succinct summary of the concept.

Many people are aware that Apple makes most of its vast profits on its hardware (although I would argue that its software is increasingly important, even if indirectly, because of the way it ties people into its ecosystem and the way each software/app purchase fuels other purchases). But unlike many other makers of things, Apple’s things are esteemed not just for the usefulness of the products and their ease of use, but also for the way they look. Design is enormously important to Apple because its customers value it so highly. One might argue that Steve Jobs valued design for its own sake, but at this point it can’t be disentangled from Apple’s marketing strategy.

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