Yes, they’re back. I should probably pick a day and make that Links Day, but in the meantime, here are a handful for your weekend reading.
The RITA finalists were announced this past week. Once again there were hardly any African-American authors who finaled, and I didn’t see many LGBT authors either, although I didn’t scrutinize the lists that carefully. I peeked over at Twitter and found that understandably, there was a lot of angry discussion about it.
It’s very disheartening to see these kinds of exclusions year and after year, especially when the RWA leadership has become more diverse and progressive. Unfortunately the awards submission, judging, and evaluation systems are not keeping pace (to put it mildly). I’ve thought about these issues over the years and looked at various aspects of the problem. I am sorry to say that I don’t think much will change until the overall romance readership is more reflective of the Romanceland readership that we hang out in. And similarly with the overall membership of RWA.
I’ve examined what is available of RWA surveys over the last 20 years, and they are consistent in terms of the demographic composition of romance readers. They are disproportionately Southern, Christian, white, and middle-aged. If you asked me to describe a modal (i.e., most common) romance reader, I’d say she lives in a medium-sized town or major-city suburb in the southern US, is white, in her 40s or 50s, and alternates between Romantic Suspense, Contemporary Romance and Amish Romances. She doesn’t read much LGBT of any type within the romance genre. And she’s on the conservative side.
That’s not the demographic that’s going to regularly pick Alyssa Cole’s books over Robyn Carr’s. Or Helen Hoang’s. Or KJ Charles’s. It’s just not.
It’s another reminder that the internet is full of silos. Twitter has remained stable over the last few years in terms of participation: about 20 percent of Americans use the service regularly. Romance Twitter and online Romanceland more generally do not represent the full range of who is buying and reading romance novels.
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