LFH: Days 22-28
by Sunita
Another work week, another set of fires to put out. But I think they are mostly quashed and just smoldering at this point. It’s better to have something to do than the reverse, though. The College fielded a survey of the undergraduates and it reinforced my anecdata that they like having synchronous classes to show up to. It structures their days and gives them a little bit of near-normalcy. Unfortunately, most of their professors seem to have landed on the same approach to moving online, which is to give them more written work. And we thought we were being so original!
I went into Canvas, a course organization platform I do not like at all but which is now my most visited site, and checked to see if any of my students had disappeared. But all of them are at least checking the material, so that was a relief. Not everyone is “engaging” at the same rate, but I don’t think anyone is so far behind they can’t catch up. I’ll know better in a couple of days after I go through all of the students’ materials one by one and see where they are. I should have done this a week ago but my “spare” work time was taken up with all the other admin. Now that is mostly wrapped up and I can put some extra time into course maintenance.
I decreased the effort level needed for the final assignment of the class. Usually the students do a group project followed by a short paper. The group project went out the window as soon as we were back from break, and I replaced that and the short paper with a research paper or take-home exam. But after seeing the results of the survey and hearing anecdotally from my students that they were feeling overburdened by the overall changes to their classes, I revised yet again. They can write shorter papers with less research (plenty of thinking but not as much digging for material) or there is a second option where they have to write short reviews and reflections on each of the assigned readings. They had to do some of the latter anyway, so this involves doing it for all of the readings, not just some. I also left the take-home exam option because some students want that.
I wish there was more I could do. I want them to come out of the class knowing the material and having expertise in the subjects, but the usual assessment techniques seem unhelpful in this environment. I know they’re showing up because I can see what they’re doing. Some of my students have family members with the virus. Some have underlying conditions which put them in the risk category. Some are in hotspots and can’t go out and don’t have congenial workspaces at home. Some are cooped up with a bunch of family members. And yet they are there, reading the material and doing the worksheets and coming to the Zoom classes.
It’s not only the students who can have unreliable internet; a couple of my colleagues do too. I was a bit surprised by that, but I guess if you don’t have reasons to spend a lot of time online at home, you don’t upgrade. We have always bought the fastest residential internet we can because of working from home and also working simultaneously. AT&T rewired our neighborhood for fiber last fall and thank goodness, because TheH and I both have 10am classes so we’re videoconferencing simultaneously twice a week, and I frequently have meetings during his other class. So far we haven’t had any problems, and there are only four to go, so fingers crossed it stays reliable. We’ve had fleeting drops of service during the day at times, but nothing that lasts very long.
I did get my book chapter revised and submitted, so that’s off my desk at least. I have another paper, coauthored this time, that needs to be finalized for submission. We have no idea what the review timeline is going to be like; are people more or less likely to be reviewing these days? We have a different paper under review that’s been out for a while, and I know the editor usually has a very efficient system, but who knows right now.
TheH and I watched another couple of Picard and TNG Star Trek episodes and then took a break from the TV. We’re still tuning into the news every night, and on some days that seems more than enough of the box. One show that has caught my attention is a new-to-the-US TV series from the UK set in World War II called World on Fire. It has Sean Bean as a pacifist working-class northerner and Lesley Manville as an class-conscious mother, which is pretty much all I need to know about it to watch. We missed the premiere on Sunday but we can catch up via the PBS streaming app.
I read some books! Well, to be more precise I read all of one book and parts of two others. I picked up a 2016 short story collection called Dog Run Moon by an unknown-to-me author named Callan Wink. He has just published a novel which received a bad review in the NYT — bad both in being negative and being a bad example of a review. There was some Twitter chatter about it and it turns out Wink has been published several times in the New Yorker. His stories are set in the American West and comparisons include Jim Harrison, Cormac McCarthy, and Thomas McGuane. I like contemporary American Western lit, and the review of the novel was really annoying, so I borrowed the story collection from Overdrive and it’s fantastic. I’m crap at explaining what I like about short stories, because I feel very ignorant about the form even though I have read a lot of them. My main gripe with them is when they feel too self-conscious or the author seems to be directing the reader, and they too often end with a dramatic twist. Wink’s stories feel less forced and worked-over as I read them, and when there are twists they aren’t presented with big flourishes. They’re very intermountain-west in their characters and affect, but set in today’s context, not nostalgic for the past. I haven’t read the one everyone talks about, the one with the cat-killing, yet, and there is some violence (human and animal) in the stories I’ve read, but I’m finding them extremely rewarding. I’m spacing them out, one every night or two.
I completed a different book much more quickly: the first of Robert Crais’s Elvis Cole/Joe Pike detective series. These are very well known bestsellers and there are lots of them, but I started at the beginning. Crais cut his writing teeth in TV detective dramas and it shows (not in a bad way). There is a ton of LA detail and Elvis and Joe are interesting characters. It’s a bit of Raymond Chandler meets Robert Parker, which is fine when it’s done well. The women are too Chandler-ish for my taste, and there is a lot of violence, especially as the story builds to its climax, but it made for good timepass and I read it in two or three days, which is amazing given how little I’ve been reading.
Finally, I picked up a book I was halfway through and then set aside back in the winter: Javier Cercas’s latest, Lord of All the Dead. It’s a nonfiction novel whose focus is on Cercas’s investigation of the battle death of his mother’s uncle, but it turns into a larger exploration of his extended family’s Fascist and Falangist allegiances during the Spanish Civil War. It makes an interesting kind of companion work to his most famous book, Soldiers of Salamis, but from the Franco-supporting side. It’s beautifully written, as always, and open and generous in its exploration of the different sides’ positions on either side of the divide. I’m not entirely sure why I was having trouble reading it back in January, but when I picked it up this week it just clicked and I read several chapters.
Spring has really sprung, at last. Our flowering tree is heavy with pink petals and the neighborhood is full of a variety of similar types. I’m making myself get out and take walks even though I find them somewhat stressful. We have our masks and gloves and we’re supposed to wear them now when we go into stores. I put mine on whenever I leave my neighborhood and am around people. The grocery stores have asked that families limit themselves to one shopper per visit unless they have circumstances that make that impossible (single parents without childcare, people helping the elderly or disabled, etc.). And the parks are closing more of their streets to cars if they’re open at all. Missouri schools are done for the year. Our hospitals are confident they can manage whatever peak capacity brings, and we’re flattening the curve here somewhat, but we’re not out of the woods yet by any means.
Sunita, I’m not a fan of American western lit. But. . . but if you haven’t read Hernán Diaz’ In the Distance, I highly recommend it. A short, mythic read, shortlisted for the Pulitzer and the PEN/Faulkner. And Diaz apparently wrote the entire novel sitting comfortably (presumably) in his office at Columbia. Also, I recently read Elmore Leonard’s Valdez Is Coming, thinking that it would hold my attention now that my mind wanders so much when I’m reading. Elmore’s a great, great stylist, and it’s a fun novel. Finally, I’m now reading Louise Erdrich’s latest, The Night Watchman: not set in the west, but she’s a great story teller telling an important story.
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@Dan: Thanks for reminding me about both of these authors! I checked out the Diaz when it came out but never read it. I should get it again. And Elmore Leonard is a great idea! I’ve read a number of his novels but given his output that means I still have dozens to go. He’s perfect for right now.
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The Wink collection sounds interesting. I’ve written a couple of short stories and have tremendous respect for people who write them. Word for word, they are harder to write than novels and take longer (just as poetry is harder than both), with every word has to be very carefully chosen.
I don’t know if you’ve read it, but I recommend Alice Elliott Dark’s collection, In the Gloaming. The title story is just amazing. With most short stories I recommend I like just one or another out of an anthology, but in this case I liked the whole collection. I can recommend some individual stories but not collections. Let me know if that interests you.
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I am so glad it is spring. It’s always my favourite season anyway, but right now it makes life so much better just to go out and see what’s changed every day.
This weekend I am finally going to start The Mirror and the Light. It’s been on my kindle since it came out, waiting for me to get into the right headspace.
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@Janine: I can see how short stories take a lot of work, and that’s partly why I’m so impressed when they don’t show their bones, so to speak. Or at least not while I’m reading. It’s also why I try to space them out, because they reward a slower pace and reflection.
Thanks for the rec on Dark, I’ll give her a try.
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@Ros: Beautifully put, that’s exactly it. Every time I go out there’s something more to observe, and it helps so much.
I still haven’t finished Wolf Hall, let alone the second installment, but I admit I’ve been scheming on when I can get back to it because the reviews and reactions to TMaTL have been hard to resist. And I’m not even counting Dan’s recommendation, which is usually enough in itself. 😉
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I’ve been a Crais fangirl since the very first book (Monkey’s Raincoat) came out (1987! 30+ years!! my, how time flies… ) I’m glad you enjoyed your dip into that pool. As with any long-running series, some entries are better than others. I was fortunate to catch him on one of his book tours and found him to be quite personable. BTW, he has said that he will never sell movie or TV rights to the Cole/Pike books, mainly because he knows how Hollywood works!
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@Barb: I’m definitely going to read more. I read a few interviews with Crais and had the same reaction as you. And that’s interesting about his decision not to sell rights! TheH and I talked about that because they’re so obviously suited for film or TV. But he has said that he started writing because he wanted a creative outlet that was all his, not the product of a collaboration (with all the compromises inherent there). I can see how giving that up would be hard. And it’s not as if he isn’t doing well by the books!
It’s great to have a new series to look forward to.
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On one hand, I agree with Yale’s decision to give its students the rest of the semester off as the right thing to do. As you mentioned above, there are inequities among the student body that make this decision understandable. However, setting aside Yale’s exorbitant tuition and the students’ real desire to learn causing grumbling, how is completely unfettered, unstructured time helping students? Motivated students will learn the subject on their own or learn something entirely different on their own. But many students need the structure of synchronous teaching and the accountability of assignments in order to grasp the material. How are these students being served? Personally, I need anchor points to my day–somethings I have to go do at certain times in my day. Open-ended time just results in wasted time and then feeling unsatisfied at day’s end.
This is such a conundrum for schools–cancel or continue? What is the rationale behind your school’s decision to continue with online schooling?
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@Keira: To my knowledge Yale did not cancel the rest of spring semester. It moved all its courses online, like so many other institutions, and after some debate it instituted a mandatory pass/fail grading system for the semester (so did Columbia, Penn, and Dartmouth). I don’t know any college or university that completely abandoned their semesters. Even the quarter-system places moved online for spring quarter. Most schools did get rid of traditional finals, but we have alternate ways of assessing student performance.
I agree (and so do many students) that unstructured, unfettered time is not helpful. But students who aren’t in synchronous classes don’t necessarily have unstructured time, and almost none of them have unfettered time. A lot of them have added responsibilities at home and less control over their time and physical space. So it’s a matter of trying to adapt learning systems to both the pandemic context and their personal situations. And contrary what I read on the internet, many students in our programs want the option of graded credit, for a variety of reasons, so going to pass/fail wasn’t our best option. We’ve made pass/fail decisions available until the last day of instruction, so students functionally have pass/fail if they want it (and we count it toward major credit this semester).
We went online early, in the sense that St. Louis had very few cases when the university made the decision. But like other institutions we knew what the curve looked like, we knew that universities are petri dishes when it comes to contagion, and we knew that it would be much harder to change the semester if everyone came back after spring break. It turned out to be a good call, because physical separation is basically impossible in a residential campus environment.
We continued with online instruction because it was better than abandoning the semester. We have courses that are prerequisites for continuation in degree programs, others than are designed to provide certification for external credentials, and all kinds of other issues. It’s not just college but every program and school. Cancelling would have been more disruptive than going online, by a lot, for many of these programs.
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@Sunita: I mischaracterized what Yale is doing. They have adopted a universal pass policy for this semester, according to my acquaintance whose daughter is a student there.
I agree with what your school is doing: giving students the option to do pass/fail or get a grade. Your school traiged early and diligently. You, personally, have put in a lot of thought into this and are approaching your academics and the students very thoughtfully.
You’ve probably already seen this article, but I’ll link to it here: https://medium.com/@intersectionist/please-professors-stop-pretending-the-dying-isnt-happening-cb17096f9c5e
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@Keira: It’s not a universal pass, it’s a mandatory pass/fail grading system. Here’s the Yale student paper’s story: https://yaledailynews.com/blog/2020/04/07/yale-college-adopts-pass-fail/. It is still possible to fail, as it is in our system. Many of us are dealing with cases like that now and trying to make sure we do all we can to avoid that if possible. Our college administration and advisors are working non-stop.
No, I hadn’t seen that article. She seems very sure of her ground. Far more than I am these days.
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I should add that Yale students can drop the class at the last minute to avoid failing (that’s the no-credit option). But no one is guaranteed a pass.
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I would love it if this weird moment got people to re-think grading more permanently but I’m not holding my breath. (I fear we’re more likely to get worse ideas). I wonder if it’s mostly elite schools that have moved to pass/fail, or if that’s just the ones we’re hearing about. I think they have the authority to do it without disadvantaging their students for things like grad/med/law school applications that others may feel they don’t have. As far as I know, this was never discussed at my mostly transfer-focused community college. However, we did extend the withdrawal date until the last day of classes. And students can appeal for a retroactive withdrawal once their final grade is in, if they can make the case to Reg Office satisfaction that their performance was affected by the suspension of face-to-face classes. But of course, though they then don’t get a grade that might pull down their GPA, they don’t get any credit for their learning, either.
I’ve finally started reading a bit more, but I keep being lured in by the increased digital library offerings (libraries got some cash for digital from the province, in part to support K-12 kids who need digital access to materials, which is great). But I read those on my tablet and that’s a recipe for distraction. I need to pull paper off my shelves!
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@Liz: I could write an entire blog post on grading in a pandemic. I don’t know if it’s only the elite schools but that’s definitely the ones we’re hearing about because that’s where a lot of the national journalists are from. But my uni, like yours, never considered dropping graded credit, and as far as I can tell the students didn’t push for it. Given my admin jobs this semester I’m pretty sure I would have heard if they had.
This is partly because we have a lot of premeds and I don’t believe med schools have said they plan to develop a way to incorporate SP 2020 pass/fail as different from other versions of p/f. The students certainly don’t think they will. And law schools seemed to be at best mixed on the issue so far. It’s one thing to say you’ll take SP2020 exigencies into account, it’s another to figure out how to do it. They have lots of other crises they’re working on.
So yeah, pass/fail not working against you is going to depend on what other strengths you have. Which comes back to privilege.
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@Sunita: I just thought of a couple of other short story collections I enjoyed pretty much in their entirety. Ship Fever, by Andrea Barrett, which won the National Book Award, and Cosmicomics by Italo Calvino. The original one, not the “Complete” version that includes T-Zero; I am not a fan of T-Zero. Cosmicomics also won the National Book Award, but in the translation category.
These are completely different from each other but the one thing they have in common is their focus on science. Barrett writes about science and scientists in a historical context. And Calvino turns scientific discoveries into absurd, whimsical fables. I think the Calvino might be great for reading right now because it’s unusually light for literary fiction. Fair warning: the titular novella in Barrett’s collection deals with a typhus outbreak and quarantine in 19th century in Canada. It’s terrific, though.
I have given both of these as gifts to people in the past, because I liked them both a lot, but I’ve given the Calvino more times—Cosmicomics is so surprising, funny, and wildly imaginative.
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@Janine: Ooh, I had forgotten about Italo Calvino. I haven’t read anything by him in forever, and I never read Cosmicomics. Great suggestion.
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@Barb: I’ve read one Crais novel, The Watchman, at the recommendation of a friend. I remember liking it pretty well, but not loving it. It was a B read for me. Do you think I might like his others more? I have another friend who favors the books with the K-9 dog and his police officer handler, where (from what she’s said) the dog’s POV is included. Especially the first of these, Suspect. I’m wondering if I should give that one a try. Do you think I would like it better?
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@Sunita and @Liz:: I don’t think kids in non-elite schools feel they can risk their futures on the probability that elite grad schools will take the current situation into account when they compare GPAs and other scores. Students from the elite schools have more confidence in their acceptance in grad schools. Again, how the pandemic affects the haves and have-nots.
@Sunita: Being able to drop the class if failing is a good option, which as you say is not an all-around pass, which is how my acquaintance put it. She should talk to her kid in more detail about it. 🙂
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@Keira: There is a bigger range of grades than a lot of people realize. “Pass” grades can have more distinctions, as can “withdraw” grades. And with pass/fail the requirements are still usually up to individual teachers and often involve quite a bit of work.
I agree that students in non-elite schools probably feel more pressure to maintain the usual evaluation systems. But even in elite schools, the level of competition to get into grad programs means that lots of students there are worried too. I mostly ignore the media coverage because it’s rarely representative of even what I’m experiencing, let alone higher ed more generally.
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@Janine re: Crais. ‘Suspect’ (with the K-9) is marvelous. When Crais wrote it, it was a stand alone. In a later book, Elvis Cole crosses paths with these characters and it works well.
Crais’s early Cole books (‘Monkey’s Raincoat’ through ‘Indigo Slam’) are short, snappy, lots of snark, a good bit of violence and not a lot of introspection. Then he changed publishers and really upped his writing skills, starting with “LA Requiem”. “Watchman” was the first to feature Joe Pike as the lead character.
As I mentioned to Sunita, this series has its ups and downs, but he’s a auto-read for me.
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Thanks, Barb!
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I hope you enjoy the Calvino, Sunita! Let me know.
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I’m now pass the required self-isolation period and can go out and social distance like everyone else. Hooray! In celebration a blizzard came through late Thursday night and dumped about 20 cms of snow on the ground. But the weather turned warmer on Easter and rain came on Monday so now we are back to just smallish dirty patches of snow lingering in shady places. Got to love spring in eastern Canada.
I worked for a small literary magazine, which of course published lots of short stories. It’s kind of surprising how many people think it’s easy to write short stories (like many people think it’s easy to write romances or poetry) — I don’t think that is true at all. Ideas and words must be carefully thought through because there’s just not a lot of space. You need a clear sense of exactly where you want to go with your story and what are your priorities.
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@Kathryn: Fantastic! Even with the 20cms of snow, at least you can go out at some point in the nearer future. And you don’t have to worry about your husband.
I’m really glad I picked up Wink’s collection, because it’s reminded me what a demanding and rewarding form short stories are. I have lots on my shelves but I haven’t picked them up in ages, and I plan to change that.
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