WTF are you doing to Harlequin and Carina, HarperCollins?
I don’t follow romanceland news as assiduously as I used to, let alone participate in it, but I am still very interested in publishing as an industry and cultural force. So it was with both bemusement and horror that I took in the information that Joanne Grant and Angela James, the Editorial Directors of Harlequin Series and Carina respectively, had been informed that their positions were being eliminated and their last day at the company would be July 19. Neither executive appears to have received much advance notice, and of course the annual RWA conference, where both would have been working and have already planned for, is next week. This kind of corporate behavior is up there with investment firms and professional sports teams, two entities whose personnel policies no business should want to emulate.
While most of the romance chatter has been in reaction to Angela James’s removal, it’s a Very Big Deal for all of Harlequin and Carina. Some people speculated that it signals the end of Carina, but I don’t think so. In the Absolute Write forum thread for Carina, Sonya Heaney points out that HC did something similar in Australia:
The director of Harlequin Australia’s digital-first imprint left last year, and when no replacement was appointed – and then the imprint’s website disappeared – people were pretty sure it would fold. However, now Harlequin Australia has taken over the line fully, and the same editors and publishers for HQ and Mira are dealing with the digital-first authors.
HC hasn’t put out a statement yet that I’ve seen, and I haven’t been able to find any trade stories (e.g. Publisher’s Weekly) as of this writing, but Anna Zabo posted an excerpt from the email that went out to (some but not all) Harlequin and Carina authors. For obvious reasons people are concentrating on the removals of Grant and James, but I found the first two paragraphs of the excerpt equally interesting:Read the rest of this entry »